White Fence “Orange” Review

Written by Beau Croxton

Orange album cover— released 4/24 on Drag City records.

White Fence’s first new LP in 7 years, Orange, is a vibrant, consistent and cohesive return with plenty of great power-pop and garage rock.


On April 24th, Tim Presley returned with the first White Fence album in 7 years, Orange. The album was produced by his friend and collaborator Ty Segall at Harmonizer studios, and it's definitely worth the excitement. Orange thrives with a West Coast, sun-drenched vibe that carries some excellent, dry guitar tones and that drum up nostalgia for The Byrds, Tom Petty, Television among others. It’s also a timely Spring album, as its vibes carry the cheerful and forward-facing attitude of the season.  With its paisley 60s power-pop, shimmering 12-string guitar tones and oddball garage rock, White Fence’s return is a very welcome one when the songs are this vibey, catchy and consistent. 

Opener “That's Where The Money Goes (Seen From The Celestial Realm)” rides in with a perfectly pleasant, warm, jangley power-pop vibe; it really sets the tone and lets the sunshine in. “I Came Close, Orange For Luck” is another major highlight with retro-twang guitar tones and psych delay vocals.  Perhaps the most irresistible is the lead single “Your Eyes”, which exudes a very Kinks/Buzzcocks charm to it. Simply put, the song is championed by great power-pop/garage rock songwriting– there’s no need to overcomplicate it.

While “Given Up My Heart” continues the streak of uptempo garage gems, “Unread Books” finds power in restraint, vibey keys and a slower BPM, which breaks up the speedy pace of the catchy power pop that precedes it. It finds its way into a lovely hypnosis and has some great twinkling guitar harmonies towards the end. It's a zoom-out moment that recalls mellow Velvet underground material, or a more low-key gem from his buddy Ty Segall. “Evaporating Love” follows its namesake detailing the moment when you recognize a fading love, but its upbeat cheer and 12 string makes it feel like a euphoric realization.

“I Wanted a Rolex” stands out with some tastefully warped guitar leads and interesting changes, which make it a more interesting experiment in contrast to the regular formula of the record. “Called your bluff and rode naked on a horse through the city” is not necessarily an everyday opening line either– the record is littered with odd references, metaphors and unique lyrics to unpack. 

“So Beautiful" is a deceptively tender and pretty tune that holds contempt under the surface over a complicated romantic relationship. It sounds very love-struck despite some of the bitter lyrics– proving its emotions to be just as complex as they are intriguing. “Blind Your Sun” does a great job closing the record with its jangly, angular guitars and funky drums. It’s a driving cut and an excellent high point as a final destination for the record. 

While White Fence’s Orange doesn’t veer too far from its jangly power-pop-rock vibe, and many songs are quite similar— the core sound is pretty fantastic and cohesive, and it’s explored successfully in a very consistent way. If you're looking for variety, you might find it a bit “samey”, but if you're a fan of the garage power-pop sound, White Fence, or the extended network of Ty Segall’s musical peers– this record is definitely a big win. It’s great to have a very solid new White Fence record to spin after a long gap, and if you love one track on Orange, you’ll definitely love the whole ride.

Occult Highlights: Your Eyes, Evaporating Love , I Came Close, Orange For Luck, 

I Want A Rolex, Given Up My Heart, That’s Where the Money Goes (Seen from the Celestial Realm)


(…but we recommend you listen in full while walking around the park a warm spring day)

7.0/10


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